Steve Bailey's Blog : Read News

Re “Sycophantic media” (Your Views, April 9): Traditionally, most citizens from the right and left stayed close to the center of the political spectrum. Now, the two sides have pulled away from that center, closer to the extreme ends of their wings. This transformation threatens democracy as lawmakers become less compromising and more obstructing. Without compromise, the work of legislatures does not get done.

The television cable news networks CNN, Fox News and MSNBC caused this calamity. They thrive on the hostility they create with their political indoctrination.

Former President Donald Trump capitalizes on this polarization. To the saying, “There is no such thing as bad press,” the Trump corollary has evolved: “All bad press about The Donald is good press.” The former president uses the negative press to portray himself as an embattled crusader against “the swamp” and “the deep state.” His faithful disciples at Fox News amplify and repeat this until they make the slant the news.

The “liberal press” provides a service for Trump. The more they fuss about him, the more they fortify his victim spin and endear his base to him. Do the network executives know this? Of course. As Jay Moore pointed out, they do this for money.

The country would benefit if the citizens turned off the cable news and read newspapers. The quantity of real news might surprise them.

Steve Bailey, Richmond

BOOK REVIEW

History has not paid much attention to first ladies and Jefferson Davis’ wife, Varina, less than most. The Civil War itself took up most of that space. Still, the woman's story in Charles Frazier’s book Varina is of a woman who married a man much older than herself and did not share in his political philosophy. This mother lost all but one of her children before they had grown up and lived out her life with the legacy of the failed Confederacy that she neither sought nor wholly accepted. This is a framed story, that is, a story within a story. Varina Davis, the only first lady of the Confederacy, tells her life story in a disconnected fashion to a young black man, James Blake, who begins visiting the eighty-year-old widow in a sanitorium where she is trying to recover from drug addiction. Blake wants to understand his own identity as Jimmie Limber, the black child whom Mrs. Davis rescued from a savage beating on a city street in Richmond, Virginia, and took in to be raised among her children. In response to Blake’s questions, Varina starts her story with her escape from Richmond, as this capital of the Confederacy fell to Union troops in the final stages of the American Civil War. She and her husband travel separately from each other physically and in the goals they have in mind for their respective journeys. She wants to escape and not return. Jefferson Davis, on the other hand, delusional that the confederacy had not been thoroughly defeated, wanted to head west toward Texas, where there was a small pocket of resistance, and keep up the fight, a fight that had already cost the American people over 600,000 lives. A climax to this part of the story is reached when Jefferson Davis reunites with his wife in Georgia and, in doing so, brings on the wrath of the Federal troops who were pursuing him. He is arrested, and during this period, Jimmie Limber is separated from the Davises. Varina, whom Frazier refers to as V throughout the book, was convinced that had her husband left her alone, she would have made it to Cuba. Varina Howell was a young woman with no dowry when she met Jefferson Davis at a party in 1843. She was seventeen, and he was thirty-five. For her, it was not about love as much as her need for security. She was more interested in his property and material wealth than his political career or ideology. And yet she stood by him throughout his ill-fated venture as the one and only president of the Confederate States of America and campaigned to have her husband freed from incarceration in Fort Monroe, Virginia, Charles Frazier’s debut novel Cold Mountain, about the journey home of a Confederate deserter in the closing days of the war, came out in 1997 and was a runaway bestseller. It was made into a movie starring Jude Law and Nicole Kidman. He uses a lyrical style, his descriptions are deep, and he puts a lot of meaning in a few words. Varina is Fraizer’s only other book with a Civil War setting. A phraseological slip-up appears when one character uses the expression “no worries,” an Australian phrase that was not part of the parlance of the nineteenth-century American language. Nevertheless, this is an engaging story about a woman few people know much about, probably because she was an outlier in the Civil War drama.

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